Sunday, October 18, 2009

FROM OUR WORKSHOP: Rizu


Rizu © October 16, 2009 by Elizabeth Faber. The original is approximately 8" x 4" and done in Strathmore Bristol Smooth, hard stock paper, cut out and remounted. This imagine has been digitally enhanced. Rizu means Liz in Japanese.

FROM OUR WORKSHOP: Bernadette Rides The Moon


Bernadette Rides The Moon © October 17, 2009 (New Moon in Libra) by Donna L. Faber. All rights reserved. The original is approximately 8" x 8", on Strathmore Bristol Smooth, done with pen & ink and Prismacolor markers. Then, it was cut out and digitally enhanced. This piece was done for a client who has achieved a new plateau of self-empowerment and wishes to commemorate it with a tattoo. She was drawn to the image of a woman riding the moon, but wanted something more personal to put on her shoulder permanently. This image reflects that client's desire (her name is Bernadette or Bernie to her friends), and has similar physical characteristics, as well, right down to the long red nails. She is riding a moon that looks just enough like a biker to be cool, not to mention personally appropriate. Also, while purple is Bernie's favorite color (which is why the moon is purple), I wanted the woman to truly *pop* from the picture. I believe the juxtaposition between heavy purples and flesh tone achieves that.

Here are photos of the piece emerging ...

bernadette emerging 001

bernadette emerging 004

bernadette emerging 004

Categorically, commissioned art can be a creative challenge because it puts a fence around my creative expression when typically I let it run free range. It was my challenge to attain the "essense" of what Bernadette wants to convey with this tattoo, understand where her head is at, and really get a "feel" for her as a woman at this point in her life. I achieved this with a couple of email messages, a few pictures, and one 15 minute phone call. Bernie is a great communicator, so I got a lot out of our conversation.

Those of you who know me, know that I have a personal relationship with the moon, and believe the Goddess resides there. When a woman comes into her own in any way, shape or form, she is, in fact, acknowledging and honoring the goddess within her. This image, the woman on the moon, is a more visual presentation of calling down the moon, acknowledging the goddess, or realizing our power within.

I hope this image is everything Bernie wants it to be.

With Love,
D~

Sunday, October 4, 2009

FROM OUR WORKSHOP: Don't Tell Me To Stop



Don’t Tell Me To Stop © October 4, 2009 by Donna L. Faber, Full Moon in Aries. This piece is done on Strathmore Bristol Vellum, 100 lb. paper, with Prismacolor markers and Pips. The original is about 10” x 13”. It hasn't been scanned. It's been photographed.

Acknowledging the Muse Within

A woman’s heart is an ocean of secrets. This is something I know from experience. What you see on the outside, the way she looks or moves, the way she expresses herself, her barriers, restrictions or vices, work, hobby or daily routine never adequately represents the treasures hidden away within. Too frequently, we restrict ourselves in the expression our heart’s delight. What’s more, society doesn’t provide for or accept the many ways our hearts wish to express themselves either. Our rules are stringent and unforgiving. Our hands are tied and as a result so are the rest of us.

I rail against this, and hope that the change our world is undergoing, this spiritual shift, will transform this repression. I hope that through a spiritual awakening, all women will embrace who they are and share their gifts with the world without fear or hesitation.

There is something inside of me that resents this restriction intensely, and I know that if I ever let that part of me out of the bag completely, my life would never be the same.

I fall in love frequently. Some times I fall harder than others, but when I do, it’s just as genuine as the very first time it happened to me at 16 years old. Each love I experience seems perfect for the object of my desire; however, it’s not always permissible to express it. Instead, I try to the best of my ability to honor the divinity in everyone and hope that is enough.

Is it?

There is a woman inside of me that refuses to be stifled when it comes to love. She flat out refuses to be repressed. Love in its truest form must be as sensitive and empathic as it is reciprocal. But this lady is a love hammer that refuses to act contrary to her truest nature. Even though I know that love shouldn’t be used as a bludgeon, this archetypic female doesn’t know how to do it any other way.

This is Francine, and she is one of my greatest muses. Not to be confused with inspiration, which is something on the outside that gets my attention, a muse is the internal emotion that prompts me to create. Francine is the part of me that rails against repression, and so consequently, she is the dynamic force behind so much of my art and writing. She beats the inside of my psyche with her clenched fists, she runs rampant in my dreams, whispers in my ears, and reigns over my day dreams at work, home and on the bus. In the car with my family, if I drift away unhearing, Leslie asks, “Hello? Are you there?” It is Francine pulling me away from the here and now as she rattles the bars to the cage I’ve put her in and has me swooning in the arms of my latest obsession.

So, this piece is done to acknowledge my inner love hammer, Francine … that’s why I call it “Don’t Tell Me To Stop”.

Because she never will.

Friday, October 2, 2009

EMERGING ART: Don't Tell Me To Stop

Don’t Tell Me To Stop © October 2, 2009 By Donna L. Faber
Full Moon in Aries (almost)
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